Foldable poster design created with a Magic Etch A. Sketch, working about the relation between technology and emotions. The exhibition centers on works of art representing our relationships with the myriad electronic objects surrounding us today. Installation view from "Everything is going to be fine", Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 8 — May 27, 2018. Master’s thesis exhibition curated by Thomas Patier. Photo: Chris Kendall 2018.

John Dillard (Brooklyn, NY) and Manuela Vilanova (Antwerp, BE) collaborate on a single day, twelve-hour exhibition on March 12th, in conjunction with the Royal Academy of Fine Arts Antwerp. A new territory is erected where life is given to the artificial and the only certainty is for change. Transgressive in nature, the works on display explore  ephemerality, narratives of identity politics, means to freedom and inclusivity. A celebration of desire and imagination activated by the bodies in attendance.

The installation concept consist in the coexistence of the urban and the technological scenes, as layers of our daily life. A come and go from the screen to the city, expressed by a brutalist typographic design and digital images in loop displayed on totem screens.

The formal and semantic languages of advertisements are dissected in this investigative essay that breaks the marketing model down to its component parts, highlighting the complex capitalist infrastructure that fuels our economic reality.

Her project consists on a performative installation that digs into the ghosts and imprints from the past, to detect, deconstruct and transcend the stereotypes built from a hostage-like feeling of the female being manipulated in a society where male interests prevail. Her practice includes costume design and installation work, in addition to video, graphics, and sound design, working in collaboration with friends from Europe and South America.

We are part of La Gran Paternal, an open studio project in the neighborhood of La Paternal. Each atelier, each house, each project collaborates in a direct approach with the public to meet and talk with the artists about their production and work. The event took place during a weekend, those days our studio was opened to show and share processes of work. Photos: Fer Valente 2018. 

IN MY EYES was published by Walden Editora. The fanzine is absolutely unpublished and includes a recent interview with Ian Mackaye by Jim Saah, photographs of the Washington DC punk scene, as well as quotes from Henry Rollins (SOA / Black Flag), Brian Baker (Minor Threat / Dag Nasty / Bad Religion) among others. It was released on September 6 at Salón Pueyrredon –Buenos Aires, with the screening of the documentary Salad Days: A Decade of Punk in Washington, DC directed by Scott Crawford.

Arqueologías del Futuro is an International Festival of Contemporary Dance, Performance and Knowledge. The curatorship of this fourth edition begins with the concept of disobedient bodies, to open up in multiple directions: the importance of feminine identities and their affective-creative networks as world proposals; the lack of cultural public politics for the care of our spaces, which defines the discourses of our creations based on the precarious conditions of production. More info: http://arqueologiasdelfuturo.com/

Foldable poster design created with a Magic Etch A. Sketch, working about the relation between technology and emotions. The exhibition centers on works of art representing our relationships with the myriad electronic objects surrounding us today. Installation view from "Everything is going to be fine", Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 8 — May 27, 2018. Master’s thesis exhibition curated by Thomas Patier. Photo: Chris Kendall 2018.

Balam is a contemporary photography magazine that shows series from emerging and established artists from Latin America and the rest of the world. A space dedicated to contemporary image based in Buenos Aires that focuses on the diffusion of artists who seek to express and show their work frontier free. Balam's goal is to give an in-depth look at the evolution and consequences of this contemporary manifestation, as well as to explore and examine the multiple forms of photography. [Format: 21 x 28cm, 200 pages, Stitched binding] Available at http://revistabalam.com/

Website design for Matías Duville, visual artist from Mar del Plata. He works with objects, videos and installations, although his production has mainly grown out of drawing. His works evoke scenes of desolation with rarified, timeless atmospheres like those that precede a natural disaster: hurricanes, tsunamis or situations of abandonment in the forest that act as a dreamlike vision of a wandering explorer, like a mental landscape. http://www.matiasduville.com/

The TRImarchi design collective has been selected by the Ministry of Foreign Affairs to curate Argentina’s Pavilion at one of the most prestigious events on the international calendar: from the 4th to 23rd of September, craftsmanship, immaterial heritage and contemporary design was converged at the London Design Biennale 2018 in Somerset House. TRImarchi opens 
“THE IMPENETRABLE FOREST” responding to the theme ‘Emotional States’, a subject chosen to provoke a broad interpretation across design disciplines, with immersive and engaging installations that interrogate how design influences our lives, emotions and experiences.